Salvation City

  Table of Contents

  Title Page

  Copyright Page

  PART ONE

  PART TWO

  PART THREE

  PART FOUR

  PART FIVE

  ALSO BY SIGRID NUNEZ

  A Feather on the Breath of God

  Naked Sleeper

  Mitz: The Marmoset of Bloomsbury

  For Rouenna

  The Last of Her Kind

  RIVERHEAD BOOKS

  Published by the Penguin Group

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  Africa) (Pty) Ltd, 24 Sturdee Avenue, Rosebank, Johannesburg 2196, South Africa

  Penguin Books Ltd, Registered Offices: 80 Strand, London WC2R 0RL, England

  Copyright © 2010 by Sigrid Nunez

  All rights reserved. No part of this book may be reproduced, scanned, or

  distributed in any printed or electronic form without permission. Please do not

  participate in or encourage piracy of copyrighted materials in violation of the

  author’s rights. Purchase only authorized editions.

  Published simultaneously in Canada

  Library of Congress Cataloging-in-Publication Data

  Nunez, Sigrid.

  Salvation city / Sigrid Nunez.

  p. cm.

  eISBN : 978-1-101-44339-2

  1. Epidemics—Fiction. 2. Teenagers—Fiction.

  3. Fundamentalists—Fiction.

  4. Rapture (Christian eschatology)—Fiction. I. Title.

  PS3564.U485S

  813’.54—dc22

  The author is grateful to the Ucross Foundation and the Ledig House International Writers Residency for their generous support.

  This is a work of fiction. Names, characters, places, and incidents either are the product of the author’s imagination or are used fictitiously, and any resemblance to actual persons, living or dead, businesses, companies, events, or locales is entirely coincidental.

  While the author has made every effort to provide accurate telephone numbers and Internet addresses at the time of publication, neither the publisher nor the author assumes any responsibility for errors, or for changes that occur after publication. Further, the publisher does not have any control over and does not assume any responsibility for author or third-party websites or their content.

  http://us.penguingroup.com

  PART ONE

  The best way to remember people after they’ve passed is to remember the good about them.

  The first time Cole hears Pastor Wyatt say this he remembers how his mother hated when people said passed, or passed away. He’d come home from school one day and repeated the teacher’s announcement: Ruthie Lind was absent that day because her grandmother had passed.

  “Died. Say died, pumpkin,” his mother said. “Passed sounds so silly.”

  She had called him pumpkin and she did not seem to be angry with him, but he had felt obscurely ashamed. Later he was told that people were afraid to say died because they were afraid of dying. Passed was just a euphemism. The funny-sounding word was new to Cole and for a time it kept recurring, floating into his head for no apparent reason. But the first time he saw the word in a book he did not recognize it, he was so sure it began with a u. Followed by an f, of course.

  Pastor Wyatt does not always say passed. More often he says went home. (“Had a great-aunt went home at a hundred and three.”) It all depends on whether the person he is talking about was saved or unsaved.

  When he is preaching, Pastor Wyatt never says passed.

  Pastor Wyatt is not afraid of dying.

  “That’s my job in a nutshell. I’ve got to teach people not to be afraid. We’re all going to die, that’s for certain. And the thing for folks to do is stop wasting their energy being all headless and fearful like a herd of spooked cattle.”

  At first, whenever Pastor Wyatt spoke directly to him, Cole would watch Pastor Wyatt’s hands. He was not yet comfortable looking Pastor Wyatt in the face. Cole was keeping so much in—he had so many secrets—he did not like to look anyone in the face if he could help it. He knew this gave the impression he’d done something wrong, and that is just how he felt: as if he’d done something wrong and was trying to hide it.

  He still feels this way much of the time. He thinks he will always feel this way.

  Pastor Wyatt himself has a way of looking at people that Cole would call staring. His mother would have called it fucking rude. But from what he can tell, other people are not at all disturbed by the way Pastor Wyatt looks—or stares—at them.

  Cole understands that Pastor Wyatt is thought to be handsome, though Cole himself has no opinion about this. But he has observed that people are delighted to have Pastor Wyatt’s attention on them, especially if they are women.

  Pastor Wyatt always looks right into the face of the person he is talking to, and his eyes are almost like hands that reach out and hold you so you can’t turn away. Somewhere Cole has read about a person giving someone else a searching look. He thinks this is a good description of what Pastor Wyatt does, too. But with Pastor Wyatt it’s not something that happens once, or once in a while, but more like every time, and in the beginning Cole hated it.

  He has never known anyone who looks so hard at other people. (He’s got Holy Spirit high beams, members of the congregation like to say.) Cole has never known anyone who smiles so much, either. He smiles even when he preaches and when he is preaching about bad things, like temptation and sin. He smiles so that people won’t be afraid. He is a tall man with a wide neck and naturally padded shoulders, and around shorter people he tends to slouch, bending his knees if need be—he does not like the feeling of towering over anyone. (Cole always thinks of this when Pastor Wyatt tells him to stand up straight, or not to hunch at the table.) When he is among children, Pastor Wyatt will sometimes do a full knee bend, balancing on the balls of his feet. It would break his heart to know that any child was afraid of him.

  Pastor Wyatt still shakes hands with people. He pays no attention to the warning to switch to the elbow bump. Cole remembers learning about this while he was still in regular school. Public health officials were trying to get people to switch because touching elbows did not spread infection the way touching hands did. Cole knows there are many people who have switched, but he sees the elbow bump only when he is around strangers. The people he sees every day make fun of the elbow bump. They shake hands and they hug one another, even though Pastor Wyatt says the disease that spared them all this time around is neither the last nor the worst of its kind. Other plagues are coming, he says, smiling. And he thinks they will be here soon.

  Pastor Wyatt’s hands are of a whiteness and a softness that make Cole think of milk, of goose down, of freshly washed and bleached flannel sheets. It is impossible to imagine flu germs, or germs of any kind, lurking on such clean hands. Pastor Wyatt has never been sick a day in his life. If anyone else made such a claim, Cole would surely doubt it. But if Pastor Wyat
t says it, he thinks it must be true.

  Most marvelous are the fingernails, each tipped with a perfect little white crescent moon. He knows these nails are the work of Tracy, Pastor Wyatt’s wife. He has caught her giving Pastor Wyatt manicures. Not that they try to hide it. They do the manicures right at the kitchen table, usually while listening to the radio. There is a television in the house, but Pastor Wyatt disapproves of television—the idiot box, he calls it—and Cole isn’t allowed to watch much. But the radio is often on, playing Christian twang (Tracy’s thing; Cole and Pastor Wyatt prefer Christian rock), or tuned to some talk show or sermon. Pastor Wyatt himself is a regular guest on the local station, on a weekly program called Heaven’s A-Poppin’!

  When he sees Tracy doing Pastor Wyatt’s nails, Cole is embarrassed, almost as if he’d caught them having sex. He has no idea if Pastor Wyatt and Tracy have sex; he chooses to think they do not. He is a hundred percent certain he will never catch them having sex. He will never see either of them naked. It simply must not be allowed to happen. If it happens, he will have to die.

  He thinks of the time he saw his parents lying naked on top of their covers, in broad daylight—the shades were up, sun fell across the bed—and how it was one of the worst moments of his life. He would have given all his toys to undo it.

  First his parents pretended it never happened. Then something—most likely his behavior—must have changed their minds, and they insisted on talking about it. Which Cole would not do. Worst of all was when they tried teasing him about it. He would have given all his toys a second time for them just to forget it. Secretly he had vowed that no one would ever see him naked.

  About sex he knew then just enough to feel shame. Certain photos he’d seen—ripped from magazines and passed around at school—had left him with images of unhealthy-looking grayish-pink flesh, like meat that had turned, and hideous tufts of dark hair where hair shouldn’t even be, images that soured his stomach. It would have taken a miracle to connect them with the time he stumbled on Jade Korsky during a game of hide-and-seek. In the dark closet their teeth had clicked together like magnets, and they had tongued her cherry cough drop back and forth till it was the size of a lentil.

  The moment he heard what intercourse was, instinct told him it was true. The knowledge had brought an anxious and bewildering sorrow, a feeling that would return when he learned what his mother’s box of tampons was for. He did not share the excitement about these matters other boys couldn’t hide. From what he could tell, his responses weren’t normal, and he would not dream of revealing them.

  Sometime—he cannot say exactly how long, maybe a year—sometime after he’d walked in on his parents lying naked, he walked in on them fighting and heard his mother say, “We never fuck anymore anyway, what the fuck do you care?” When they saw him they tried to explain, but only halfheartedly. And it was this halfheartedness that had enraged him, moving him to perhaps his first real effort at sarcasm. “Sure. I know. You guys were just rehearsing for a play.”

  No one had tried to stop him as he turned on his heel. He remembers his cold satisfaction, leaving them speechless behind him. He remembers thinking, Now they’ll know how much I’ve grown up.

  But he is not sure anymore if in fact it was his mother he heard that day. Maybe it was his father. This has become a familiar problem. Cole gets mixed up. He is never completely sure of anything he remembers anymore. He was told that after his fever broke he did not even remember his own name. It wasn’t exactly amnesia, but the illness had damaged his brain. He was not the only one to whom this had happened. It happened to many other people as well. It happened to the president of the United States.

  Even now there are important things Cole knows he should remember that he cannot remember at all. He has resigned himself to perhaps never remembering them again. He knows he is lucky to know his name, lucky not to have worse damage, lucky to be alive. Though he wishes ardently to learn not to be afraid to die, he cannot help being glad—even if it sometimes makes him feel base—that he survived.

  It was his mother, he decides. Both his parents used swear words all the time, but it was more like his mother to swear twice in one sentence.

  Pastor Wyatt uses a cream that makes his hands smell like cookie dough.

  Cole has nightmares. Some contraption is crushing him, some ferocious animal is about to devour him, an object he cannot live without is lost or taken away. He cries out, doggy-paddling in the dark. Then there is light, impossibly bright, stabbing his eyes. It is always Pastor Wyatt who comes, never Tracy. Because Tracy never says anything about these nights, Cole thinks maybe she sleeps right through his screams and Pastor Wyatt getting out of bed. He knows married people don’t always tell each other everything.

  Pastor Wyatt sits with him for a while, stroking his head, praying with him. Jesus is here, he croons. But it is the smell of those hands that soothes Cole most.

  In the upstairs bathroom one day, he uncaps every bottle and jar till he finds it. The cookie-dough smell is vanilla. It is one of his secrets, how much he loves that smell, and how he sometimes goes into the bathroom just to take a deep whiff. He believes that if he tells anyone, the smell won’t have the same effect anymore. It is a secret also because he thinks of it as a girly thing. He pictures Les Wilbur and Peter Druzzi jeering.

  Les Wilbur. Peter Druzzi. Cole wonders about them, as he wonders about all the other kids from school. He thinks he remembers that Les was sick, but it could have been Pete. Or it could have been both of them. He wonders if they have passed.

  Died. Say died.

  Ruthie Lind has passed, that he knows for sure. It happened before Cole himself got sick. Ruthie was one of the first to pass. Jade Korsky? He doesn’t know. He and Jade hadn’t been in the same school anymore. The closet, the cherry cough drop—all that was back in the city. Ages ago. When was the last time he’d played hide-and-seek?

  His mother and his father, both of whom were afraid of dying, have passed.

  The best way to remember them is to remember the good about them.

  He knows that Pastor Wyatt is right. He does not know why it is so hard.

  ONE OF HIS BIGGEST SECRETS IS THAT he does not like Tracy. It is a guilty secret, because Tracy has always been nice to him. She cleans his room and washes his clothes and asks him every day what he’d like for lunch. She gives him only light chores to do and praises him for the smallest things, like helping to load the dishwasher. (“What a peach!”)

  Once, when he accidentally breaks a ceramic bunny he knows she loves, she looks crestfallen. But before he can apologize, she says, “Jesus hates it when we care too much about some silly old thang.”

  Tracy is Pastor Wyatt’s second wife. She calls him WyWy, which embarrasses Cole, though not as much as her calling him Daddy, or DaDa, as she also sometimes does.

  Pastor Wyatt tells Cole to call him PW.

  Cole knows that Tracy is younger than PW, but he does not know how much. She will not say her age. Certainly she is too old to be saying DaDa. But she often talks more like a child than like a grown-up. PW drops his watch and she says, “Did it get hurt?” To her an alarm clock is a “warum.” Her favorite letter is b. She says “bamburger” and “bumbrella.”

  Cole finds it strange that PW laughs at Tracy’s mistakes but never corrects them. “We were going full bottle.” “The house was infected with termites.”

  Why doesn’t he correct her?

  Cole knows Tracy doesn’t have children not because she didn’t want any (“It was my dream since I had my first doll”), but because of a kind of cancer she had before she was married. When he asks if the cancer treatments made her go bald, she looks startled, but she tells him. All her straight blond hair fell out and grew back the way it is now, chestnut and wavy. She tells him also that because she lost so much weight when she was sick, even some people who’d known her all her life would walk right past her without recognizing her.

  Cole would have thought that having cancer—w
hich he knows can always come back and kill you even if it didn’t the first time—and not having the thing you most want in life would keep a person down. But though at times he sees PW with a faraway expression on his face that could be called at least partly sad, Tracy always looks as if everything is going her way.

  Sometimes she accuses herself of being negative, or she apologizes for getting up “on the bad side of the bed.” Cole never knows what she’s talking about. Even when the subject is something she hates—abortion, unnatural marriage, the elbow bump—Tracy does not seem particularly angry or upset. She’ll bunch her lips or shudder or shake her head—“If that isn’t enough to make you spit”—but in the very next breath she’ll say, “How about yegg salad on rye fer yer lunch?”

  He thinks of his mother and the pills she took every day to make her less negative. There were other pills she took to make her less afraid, especially if she had to get on a plane, or to help her sleep. When she did not get enough sleep, almost anything could make her cry. A dead robin on the lawn . . .

  His father didn’t take any pills and Cole had never seen him cry, but he can’t remember a time when he didn’t have to watch out for his father’s moods. A bad mood often had something to do with work. His father and his mother were both overworked. One time he heard his mother tell someone on the phone, “I have to work as hard as she does and I’ve got a kid. Compared to mine, her life’s a fucking piece of cake.” Too much work. But also, as Cole understood it, fear of not having enough work. Or of losing the work that they had.

  The people his parents disliked most were people who cared about money. But from the way his parents talked, money was the most important thing to them, too. He remembers the time their accountant made a mistake and they ended up owing a lot of taxes. When the accountant called to break the news, his father had started screaming at him, and when the accountant hung up on him, he threw his cell across the room. For days after, the house was like a tomb.